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About Cadenza

The operating layer for classical and jazz music.

Cadenza helps musicians find serious opportunities and helps orchestras, schools, festivals, competitions, venues, and arts organizations run the workflows around those opportunities: listings, applications, school inquiries, events, ticketing, subscriptions, rooms, and revenue.

Opportunity discovery

Musicians can browse auditions, jobs, competitions, programs, funding, calls, gigs, military band roles, and admissions-related opportunities.

Organization workflows

Claimed organizations can post listings, manage applicants, use prescreening and jury tools, run events, sell tickets, and track earnings where the workflow is enabled.

School recruitment

Schools can present profile information, programs, faculty, tuition notes, application links, deadlines, Request Info paths, inquiries, exports, and recruitment analytics.

Marketplace revenue

Cadenza supports event discovery, ticketing, subscriptions, donations, room bookings, receipts, buyer dashboards, and organization earnings for enabled sellers.

Who we serve

The musician side is free. The business side is sold to organizations that need a cleaner way to publish opportunities, collect applications, process school inquiries, activate event revenue, and understand what to do next.

Classical and jazz musicians
Orchestras and ensembles
Conservatories and university music schools
Festivals, competitions, and summer programs
Military bands and public-sector ensembles
Venues and event presenters

Company details

A founder-led product operated by Kalinklo Ltd.

Cadenza is operated by Kalinklo Ltd (Hong Kong). The product is being built as a practical, workflow-first platform for the classical and jazz music sector, with musicians kept free and organizations paying for posting, recruitment, workflow, ticketing, and revenue tools.

Operator

Kalinklo Ltd

Hong Kong

Contact

hello@cadenza.work

Support, procurement, corrections, and partnerships

Trust boundaries

Ambitious, but specific about what is real.

Cadenza should be judged on working software and supportable claims. These are the boundaries we use across public pages, dashboards, revenue tools, and outreach.

Indexed is not partnered

Cadenza indexes public music data for discovery. A public profile or listing does not imply a partnership unless it is clearly marked as claimed, partner, official, or paid.

Buyer data is separated

Revenue pages separate completed revenue, buyer-owned pending checkout value, outreach-only link value, and modeled ARR so payment-link face value is not treated as booked revenue.

Editorial standards are public

News, reports, and investigative work are kept separate from product claims, and the editorial standards page explains sourcing and corrections expectations.

Procurement is documented

The trust and procurement page covers payments, refunds, data handling, support, ownership, provenance labels, and what happens after purchase.

Need vendor details?

The procurement page explains payments, refunds, data handling, support, ownership, and provenance. Schools and orchestras that require a manual invoice, purchase order, or vendor questionnaire should contact Cadenza before purchase.

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